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2016 Canadian Festival Report Card
For the past twenty years, the music industry has seen its stages dominated by men in most genres and scenes. With the exceptions of the occasional women-focused festivals, like Lilith Fair, women have tended to see very little representation on stages, and nowhere is that more noticeable than at a festival, where sometimes hours can pass before a woman, a racialized person, or a member of the LGBTQ community walks on stage as a member of a band. With that in mind, we’ve been tallying up the numbers, and are presenting them below. This list is presented in the spirit of information-sharing – often, bookers and Artistic Directors don’t realize…
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NXNE PRESENTS A SAUSAGE FESTIVAL
From a piece I wrote for Electric City Magazine: “The Canadian music industry is a diverse, varied place, but you wouldn’t know it from the endless parade of white guys with guitars wanking across the festival stages and conference panels of the nation. Over the past month, NXNE have been releasing the lineup for their Portlands festival, and the list, while appearing more racially diverse with the most recent release, is still very dude-heavy. With three women-fronted bands and one genderqueer artist out of 16 total acts released so far, I have to ask: where the fuck are the women, NorthBy?” Read the rest at Electric City Magazine.
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Music City – A strategy
The points I’ve included below – headlined ‘A Strategy for Music Peterborough‘ – was created with my hometown in mind, but swap out a few names and organizations and this would be useful in any city to frame the way you approach different sectors with a view to creating a cohesive push to highlight music (or, I think, almost any local art or cultural highlight) and create a Music City mentality. I’ve made a few edits from the original document to make explicit the sort of things that I take as a given, but which aren’t obvious to everyone (like gender parity, inclusion of racialized people, good working conditions, etc.). A…
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2015 Festival Report Card
In 2015, two volunteers collected data on festival lineups in our second iteration of the Canadian Festival Report Card. This report graded Ontario festivals on gender parity on their stages. Here are the results: A 45% – 50%+ (2 festivals) Home County Music & Art Festival ON – 61.11% Summerfolk ON – 60% B 35% – 44% (3 festivals) Hillside Festival ON – 38.10% CityFolk ON – 37.84% Live From The Rock Festival ON – 36.84% C 25% – 34% (2 festivals) Eaglewood Folk Festival ON – 33.33% Mariposa Folk Festival ON – 30% D – 15% – 24% (1 festival) Northern Lights Festival Boreal ON –…
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Folk Alliance International Showcase
We’re heading on down to Kansas City in February with 3,000 of our closest friends and folkies to the Folk Alliance International Conference. Secret Frequency’s own Candace Shaw will be there, presenting a showcase room of Trad & International artists. Private showcases are the gem of music conferences; they are the late-night, hotel-room, no amplification opportunities for artists to play to a very, very intimate crowd – as many people who can cram into a hotel room. The next room over, there’s another band showcasing, and on and on, filling two full floors of the hotel with music and promoters and DJs and more. You’re up against If you can…
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Women in Music Database
One of the discussions that arose from the Women in Music at FMO meetup in October was that a lot of women in the industry are looking for other women to work with – as producers, as side players, etc. It also seems to me that conferences and festivals who are asked or challenged on the issue of gender parity often say things like ‘We can’t find enough women to fill these spots.’ So with the aim of helping each other and promoting women in music, I’m gathering a database of women and the things they do in the music industry. Paid or volunteer, it doesn’t matter; if you identify…
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Notes from FMO meetup
Canadian Women in Music Meetup Friday, October 17, 4:30pm Folk Music Ontario Conference Notetaker: Trish Facilitator: Candace Shaw Attendees: Enid Carol Goodman, Gabrielle Papillon, Corinne Rose, Allison Brown, Suzi Wilde, Nicole Colbeck, Emily Mitchell, Kathleen Merrett, Joanne Mill, Sarah Beatty, Mimi Shaw, Jayne Mitchell, Francine LeClair, Kristine St. Pierre, Shawna Caspi, Heather —, Leah Morise, Mike Bourgeault, Laura Spink, Terry Hart, Mary Bennett, Maryanne Gerard, Nancy Dutra, Eve Goldberg, Julie Kerr, Lea Dalgoy, Sarah Elizabeth, Amanda Rheame, Trish Murray, Rachel Barecca, Marianne Girard, Treasa Levasseur, Anita Lennon-Barlow, Tannis Slimmon, Brian Litvin, Victor Hugo Lopez, Rodrigo Muniz, Graydon James, Clela Errington… Discussion: Candace welcomed everyone, outlined ideas that are a starting…
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2014 Canadian Festival Report Card
In 2014, we made out first (of, hopefully, many) attempts to capture the data behind how many women are appearing on festival stages in Canada. We asked for volunteers to submit stats for festivals, looking primarily for how many bands played each festival, and how many of those bands were fronted by women. Here are the results: A 45% – 50%+ (2 festivals) Home County ON – 55.56% Wavelength ON – 50% B 35% – 44% (3 festivals) Summerfolk ON – 40.48% Montreal Folk Festival PQ – 40.91% Winnipeg Folk Festival MB – 40.48% C 25% – 34% (2 festivals) Sappyfest NS – 25.81% Wintergreen Concert…
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Artist Spotlight: Aqua Alta / Jenn Grant
I know I already did one this week, but then this new stuff slid across my dashboard and it stopped me in my eternal scroll and I had to share it, so here we are. Two in one week. Except that this is actually two in one post, so three. Well, I make the rules, such as they are, so I guess I can break them. Aqua Alta is a new project by Jenn Grant, Charles Austin, and Graeme Campbell. So far, it’s barely more than a tease – a name, a one-pager website with no info or photos, and just three songs. The first two got my attention, but…
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